Wednesday, December 31, 2008

Kepompong








dulu kita sahabat
teman begitu hangat
mengalahkan sinar mentari

dulu kita sahabat
berteman bagai ulat
berharap jadi kupu-kupu

* kini kita melangkah berjauh-jauhan
kau jauhi diriku karna sesuatu
mungkin ku terlalu bertindak kejauhan
namun itu karna ku sayang

reff:
persahabatan bagai kepompong
mengubah ulat menjadi kupu-kupu
persahabatan bagai kepompong
hal yang tak mudah berubah jadi indah

persahabatan bagai kepompong
maklumi teman hadapi perbedaan
persahabatan bagai kepompong
na na na na na na na na na

semua yang berlalu
biarkanlah berlalu
seperti hangatnya mentari

siang berganti malam
sembunyikan sinarnya
hingga ia bersinar lagi

** dulu kita melangkah berjauh-jauhan
kau jauhi diriku karna sesuatu
mungkin ku terlalu bertindak kejauhan
namun itu karna ku sayang

Friday, December 26, 2008

PINTU TERLARANG: BLOODY BEAUTIFUL!




Judul: Pintu Terlarang Produksi: Lifelike Pictures Sutradara: Joko Anwar Penulis: Joko Anwar
Pemain: Fachri Albar, Marsha Timothy, Henidar Amroe, Tio Pakusadewo, Ario Bayu, Otto Jauhari, Arswendi Nasution


Ada yang unik dengan hadirnya fenomena kekerasan di dalam kehidupan masyarakat. Melalui perantaraan media, kekerasan hadir dalam kehidupan sehari-hari dan seolah-olah menjadi menu di meja makan. Tanpa disadari, sebagian penonton mengadopsi kekerasan yang ditayangkan itu menjadi sebuah metode inspiratif untuk merespon permasalahan. Simaklah tren kasus mutilasi yang marak akhir-akhir ini. Itulah sebabnya, kerap kita mendengar tudingan bahwa media menjadi ruang yang kondusif bagi distribusi kekerasan. Film terbaru garapan Joko Anwar seolah-olah berusaha menggarisbawahi problematika ini.


Di dalam film ketiganya ini, Joko kembali menggandeng Fachri Albar, Ario Bayu dan Arswendi Nasution. Sebelumnya, ketiga aktor tersebut berkolaborasi dengan Joko Anwar di film “Kala”. Selain ketiga aktor itu, film ini diperkuat kehadiran aktris Marsha Timothy dan Henidar Amroe. Lewat film ini Joko kembali layak digelari sebagai Indonesian’s master of storytelling. Sebagaimana film-film sebelumnya, penulis yang baru meraih Piala Citra ini kembali mengolah sebuah cerita dari perspektif yang sama sekali tidak terduga.

Adalah Gambir, seorang pematung terkenal yang karya-karyanya laris manis dibeli kolektor. Beberapa kritikus sebenarnya meragukan kemampuan Gambir. Konon kunci keberhasilan Gambir adalah kemampuan marketing istrinya yang cantik, Talyda. Karya-karya Gambir selalu berbentuk sosok wanita hamil. Rupanya ini berakar dari trauma masa lalu Gambir, saat ia dan Talyda terpaksa menggugurkan kandungan, karena hamil di luar nikah. Setelah menikah, Gambir dan Talyda justru tak mampu memiliki anak, padahal ibunda Gambir sebenarnya sangat mengharapkan kehadiran seorang cucu.


Kehidupan rumah tangga Gambir dan Talyda pun terasa semakin gersang. Apalagi ketika Talyda melarang Gambir untuk membuka sebuah pintu rahasia yang baru ditemukannya, Lalu Gambir mulai menerima pesan-pesan aneh dari seorang bocah yang minta diselamatkan. Pesan-pesan itu mengantar Gambir memasuki sebuah gedung misterius dan akhirnya mulai menemukan jejak untuk membongkar rahasia Talyda. Sampai sebuah kejutan datang menghantam seluruh kesadaran Gambir dan membuatnya memilih jalan yang paling brutal untuk menutaskan masalahnya. Tetapi ternyata permasalahan tidak berhenti sampai di sana.

Jalan cerita film ini memang sangat menarik. Menit demi menit berlalu dengan ketegangan yang semakin meningkat, membuat kita tidak sanggup berpaling dari layar. Dengan lihai, Joko menanam berbagai informasi penting di dalam setiap menit yang bergulir, sampai akhirnya semua misteri terbentang jelas di hadapan penonton. Di dalamnya, Joko menawarkan sebuah paradoks yang menyisakan pertentangan di benak kita. Melalui paradoks yang ditawarkannya, Joko seperti ingin membuat kita mempertanyakan kembali kenikmatan yang kita rasakan pada saat menyaksikan orang lain tersiksa. Pada waktu bersamaan, Joko juga menghadirkan ketegangan sejati yang sangat mencekam dan mungkin belum pernah muncul di dalam sinema Indonesia. Hebatnya lagi, Joko tampaknya paham betul bagaimana menggunakan bahasa film itu sebagai senjata, sehingga pada akhirnya, rasa sakit yang muncul bukan pada karakternya, melainkan pada kita yang menyaksikannya, tetapi toh memang itu yang kita cari.

Kemampuan Fachri Albar untuk memerankan fluktuasi emosional pada karakter Gambir sekali lagi perlu diacungi dua jempol. Tetapi penampilan yang paling mencuri perhatian adalah Marsha Timothy yang harus memerankan Talyda. Karakter Talyda yang begitu rumit dan misterius berhasil dilakoni Marsha dengan baik.

Film ini bisa Anda saksikan di bioskop-bioskop terdekat pada pertengahan Januari ini. Selain di Indonesia, film ini juga akan mengadakan international premiere di Rotterdam Film Festival pada 27 Januari 2009. Jadi jangan sampai Anda lewatkan!

Monday, August 04, 2008

THE NEXT BIG THING


C-COMM

THE NEXT BIG THING
Let’s all hail to the mobile phone as the next advertising’s promised land!

“Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning." --Winston Churchill




The more time we spend focused on the inner workings of the advertising industry, the more we believe we'll see more change than is commonly thought. Churchill spoke with great hope for the emerging world order of his day in the above quote. Yet I believe what we're doing today is just the beginning of the beginning for digital advertising.

I say "digital" instead of "online" advertising because people equate "online" (rightly or wrongly) with the Web. We're about to see a media explosion, a seismic shift in the way we deliver all existing media (TV, radio, outdoor, and, yes, even print). As all media are delivered via IP, we'll begin applying all the knowledge learned over the past few years in online advertising to the emerging digital advertising landscape. All media are headed this way, albeit some sooner than others, TV and radio, are headed there first.

TV will be delivered in an increasingly non-linear fashion until eventually no linear content broadcasts remain. TiVo and other DVRs are just a simple bridging technology. They allow viewers to break an unfortunate model they simply don't prefer and slice linear broadcast media into chunks that are time-shifted to correspond with their own schedules.

Revolution Without Victim
Recently, we have to face the reality that the mobile phones are fast becoming ubiquitous. Over 3 billion mobile phones are used worldwide and it has greater penetration than television or home Internet cable. All of a sudden, it replaced the dog’s role as a man’s best friend. Now, mobile phone is a very personal possession. People are actually carrying their social lives in their cell-phone, and regard them as extensions of themselves.

Furthermore, the development of 3G technologies from mobile communications in the past 3 years has given us an entirely new way to communicate with others. In fact, it changes the realm of our communication in a sci-fi alike way. It’s not merely the wireless voice telephony and video call, but broadband wireless data in mobile environment as well. 3G technologies enable network operators to offer users a wider range of more advanced services while achieving greater network capacity through improved spectral efficiency. Now, Mobile devices can deliver the convergence of video, data and audio and serving as mobile TVs. So we can change our methods of accessing the world - sending and receiving codes.

Yes, we'll still see live events broadcast as they happen. News will have to cover events in real time (maybe more so, in many cases, to compete). Other content is currently only delivered in a broadcast format because it was the only method available when TV was invented. It was also a logical extension of radio, which was a single linear stream of sound.

If all media will eventually be delivered in a nonlinear format, which means the end of "broadcast" media, all advertising will be dynamically served, just as we serve Web-based ads today. There’s a lot of uncertainty about the specifics, but nearly everyone thinks 
the mobile world is a good one for some kind of advertising.This means massive shifts in the way advertising is planned, bought, and sold. Eventually, it's a greater extension of what we're already doing. It actually expands our channels and spaces to sells everything through mobile devices.

The 3 billion mobile phones around the world can potentially reach a much bigger audience than the planet's billion or so personal computers. The number of mobile phones in use is also growing much faster than the number of computers, especially in poorer countries. Better yet, most people carry their mobile with them everywhere—something that cannot be said of television or computers.

Mobile advertising seems to be an industry that’s about ready to explode, chasing the billions already being spent on Internet advertising. But mobility, although it has unmatched attractions for advertisers, also is a business very much in a state of flux. Previously, some of those in the burgeoning mobile advertising industry, which has been making money mostly through text-driven ads, expect advances in networks and advertising capabilities to reach an inflexion point in time for the Christmas shopping season.

The Dawn of A Mobile Ad Era
Considering this, Chriscomm ( C-Comm) lead by Anton Karya, serves as frontrunner in 3G Mobile Advertising. Together with one of the biggest nationwide news provider and Ironroad, Swedish Company, C-Comm provides the whole different way of advertising. Delivering the first-class news content such as TV news in your mobile devices, C-Comm offers various interactive advertising through mobile communication. C-Comm begins to deliver ads to handsets alongside video clips, web pages, and music and game downloads, through mobiles that are nifty enough to permit such things. If so, mobile advertising could become a tiger escaping from its cage next year.

C-Comm also has an undeniable way of advertise by actually putting the ads before the news. In mobile devices there is no way the mobile phone user can switch their channel while the ads are on. This help assuring the ads reach the right audience. The audience can also interact with the ads, they can directly dial the customer services or sending them text messages to get more detail of their ad. For example, for advertising of a brand new car, besides airing their TVCs through mobile phones before the news content, the advertisers can send the specification of the car when requested by the content users.

Yet the biggest selling point of mobile ads is what marketing types call “relevance”. Advertisers believe that about half of all traditional advertising does not reach the right audience. Less effort (and money) is wasted with online advertising: half of it is sold on a “pay-per-click” basis, which means advertisers pay only when consumers click on an ad. But mobile advertising through 3G technologies is the most focused: if marketers use mobile firms' profiles of their customers cleverly enough, they can tailor their advertisements to match each subscriber's habits or their choice of news. Justification: viewers watching on-demand programming select their own, personal primetime and watching their preference of ads.

The effectiveness of a mobile ad campaign can be measured in a variety of ways. The main measurements are impressions (views) and click-through rates. Additional measurements include conversion rates, such as, click-to-call rates and other degrees of interactive measurement. Moreover, mobile advertising offers the possibility to subsidize cost to subscribers (mobile phone users). Eventually, mobile phone operators are mulling a service that would rewards customers for listening to commercials and other information over the phone.

Despite these rosy expectations, there still is some caution evident because mobile advertising in a unique and unknown medium is bringing together carriers, ad agencies, publishers, mobile ad technology companies and brands. Everyone is treading on unfamiliar ground.

The No. 1 issue facing mobile advertising, says Anton Karya, Business Development Director of C-Comm, is that the mobile industry is not yet emerge as a single advertising medium. Brands and advertisers are familiar with working with print, TV, radio and the Internet as separate entities. We have to make them positively understand that mobile networks can bring together the Internet, video, text, gaming, music and more.

In addition, his partner Reagan Panggabean from Ironroad who provides the technology says, “Mobile is a group of quite separate media with different characteristics, they differ in form and in the audiences they draw. People are still trying to figure out a way to handle this.” Anton Karya also thinks mobile advertising will become more interesting to major brands when richer content on wireless devices becomes more widespread, especially video and TV. The richer the media, the richer the consumer experience, which drives sales and brand recognition.

So this column is a call to the advertisers to take their cues from the upshift in the current market landscape. The core technologies we built to serve ads, plan and manage campaigns, handle sales, implement insertion orders, and, perhaps most important, report results have been underfunded long enough. The industry must begin to focus on these platforms with an eye to the media future. It must create technologies to easily handle the transition to nonlinear video (and audio) ad insertion and become ready to handle the media shift. We should all focus on seeing this type of vision through to completion.

If this kind of thinking is nurtured and made pervasive among traditional media people, we're looking at a whole new media buying world. It would be much bigger than "online advertising." It's not about the Web anymore. It's about all media becoming digital. And that’s where C-Comm stands as likely victor.

As published in ADOI Magazine - August 2008

Monday, May 12, 2008

I Wish by Lisa Loeb




I wish for a place where the earth doesn't shake
And if the earth won't be still
Then I will

And my friends can be my family
And they can be my company
And I'll take them to a party
And we'll have fun

[Chorus]
Can you tell me if I'm near
To anywhere but here

I wish for a place
Where it's not such a waste
I can tell the girls my name
It's ok, although it's plain
[Chorus]

If I could sleep
Then I would dream
Of what you promised me
Then everything
Would seem better than it is

I wish for a place where I could go
'Cause everything here moves so slow
[Chorus]

I wish for a place
Where the earth doesn't shake
And if the earth won't be still
Then you and I will
[Chorus]

Saturday, April 12, 2008

Monday, April 07, 2008

A Friendly Guide to Busway for Women




by: Leila Safira Assegaf





- Wear your walking/running shoes, don't wear something like pointy toes. It might be comfortable now, but after a while, your toes will suffer.

-Don't wear sandal jepit, either. You might get lucky to have an empty bus, but otherwise the risk of being stepped upon is unreasonably high. Spare your toes the nasty experience.

-If you have to stand, stand with your feet wide apart. Or you might fall into mas-mas's embrace when the driver hits the brake. Forget dainty. Choose dignity.

-You know the man with a kupluk, moustache, beard, koko shirt and cingkrang pants who is concentrating on his read such as: "Tafsir Al-Mustafa"? He is the least likely type to give up his seat to anyone, not even a heavy-bag-lugging ibu-ibu.

-If the driver hits the break, try best to step on the man's (in kupluk, moustache, beard, koko shirt and cingkrang pants) toes.

-If you can, bring something to kill time, or even better to avoid the risk of getting caught sleeping with your mouth wide open. Book is good. NDS:even better.

-A woman is more likely to give an old lady her seat, even though her stop is still far away. A man would give someone his seat when his stop is next.

-Not having an intention to undermine woman-busway-drivers, but prepare to jump pretty far to and from the bus, from and to the shelter whenever they drive.

Monday, March 31, 2008

Belajar Bijak

Berikut ada tulisan saya yang batal diterbitkan, mungkin bermanfaat bagi yang membutuhkan...

Click image to read the article!

Monday, March 17, 2008

Watching Life in A Greater Sense



Some friends have recently thanked me for writing a FiRST review that let them know not to see… (fill in any movie name here). Sejujurnya, saya justru gelisah dengan pernyataan ini. Saya menduga banyak review dijadikan jawaban untuk pertanyaan, “is it worth my money?


Padahal sebenarnya ada tujuan lain dalam menulis review: mencari pemahaman lebih akurat terhadap liku-liku dan problematika kehidupan yang ditawarkan sebuah film. Saya sendiri termasuk orang seperti ini. Membaca review tidak lantas mengubah prioritas menonton film (because I’m practically watching everything…). Saya hanya berusaha memahami film dalam konteks yang paling luas. Memaknainya sehingga segala yang ditawarkan bisa memberi manfaat untuk saya, understanding movie in a greater sense!

Semua film tidak dilahirkan hanya untuk meraup untung, tetapi berharap meninggalkan bekas yang lebih immaterial. Bahkan di luar bahasa promosinya (i.e. Biggest blockbuster of the year! or Most romantic movie of the summer!), setiap film pasti menawarkan filosofi atau basis intelektual tertentu dalam khazanah kultural kita. Kita tidak bisa menghindar dari kemungkinan terpengaruh pesan-pesan tersembunyi (or not-so-hidden) di film. Films can be entertaining and full of fluff, but they comment upon our world in their method of entertaining or in their very fluffiness.

Karena alasan ini, maka setiap film bernilai. Setiap film menyingkap sebuah cara pandang terhadap dunia dan bagaimana kita (penonton) bisa menyesuaikan diri terhadap pandangan dunia itu. Saya bisa saja tidak setuju terhadap pesan yang dibawa sebuah film, tetapi ketika dia ditawarkan berarti ada orang lain di muka bumi yang berpegang pada perspektif itu. Bisa mengenali atau menerimanya lewat medium film adalah sebuah anugrah.


And beside that, I do admire some aspect of the film, be it the acting, the tight script, or the impressive cinematography
. Sebuah karya seni yang pada gilirannya mengasah sensitivitas dan mengendurkan ketegangan akibat kehidupan sehari-hari. But still, if I find a film truly unworthy of viewing, I promise to let you know.

Ilustrasi: Todo Sobre Mi Madre

Saturday, March 15, 2008

for the price of a starbucks






for the price of a starbucks






is your career your life, and are you really living?
is your focus always work? is it unforgiving?
do you go home to your job? does job follow you home?
if so you're just a slave, a mindless zombie or drone.

now there are some exceptions, but few and far between.
cuz your life as you call it, makes the next man a king.

he's living with big stacks of that almighty dollar.
making money off your life while you wear the collar.
but listen he's not immune, so don't feel discouraged.
there's one above him too, and he's far from malnourished.

some are free from the chains, but they can't afford to eat.
while the man above the man gets massaged on his feet.

for the price of a starbucks you can feed all these kids.
some war ravaged, some savage, with flies around their lids.

but don't you dare ask the man to make a donation.
cuz he's already made one, for tax preparation.
and they plan to cut taxes, never believe that shit.
every Dead President in your pocket's counterfeit.

Sunday, March 02, 2008

O Blogger Where Are Thou?


So after months of pondering the options, I still have nothing concrete to offer. I do know that if I keep my blog, I want to keep it somewhat more of a place to discuss random thoughts and views than a personal journal. I moved back to my old digs at the personal stuff, such as it is but haven't found anything either. Anyway, later I find myself with Google (so far anyway- I tried about a bazillion combos) so I could find any ideas. I do comment on a few blogs that require you to have a blogger login, so I will probably stay up if for no other reason than that . But still, nothing's new under this blog. O my bloggy spirit, where are thou?

Truthfully, I don't feel like I have very interesting things to say at this point in my life, mainly because I don't have/take the time to think. I'm kind of prone to tunnel vision anyway, and being a full-time working slave has simply narrowed my focus even more. I hardly watch the news or keep up with current events and causes that I used to be passionate about have fallen by the wayside. I've appeased myself to some degree with the realization that many people in this condemned town have this problem, and that as we get older we will find time for other things again. Please, someone- tell me (even if you have to lie) that someday I will have a life...

Well, speaking of boring, I think I'll stop here. Just wanted to post a "Hey I'm still here" note for anyone still hanging around.

Thursday, February 14, 2008

My Happy/Sappy Valentines



Hei, saya seorang pria. Saya karnivor, saya mencukur kepala saya hingga nyaris botak dan saya membiarkan rambut-rambut halus tumbuh di dada saya. What on earth could I possibly say in favor of Valentine’s Day? Well, actually I do have some opinions...



Dalam 3 dekade hidup saya, makna hari kasih sayang ini telah mengalami pergeseran. Tentu saja pergeserannya terjadi sangat perlahan-lahan dan sangat bergantung pada peristiwa-peristiwa yang saya alami di tahun-tahun sebelumnya. Ketika dihadapkan pada pertanyaan mengenai tentang Valentine’s Day, saya pun mulai mengudari makna-makna Valentine yang pernah saya yakini. Setidaknya ada tiga sikap yang pernah saya ambil terhadap Valentine.

Adolescence (Teenages)
Saya mengenal istilah hari kasih sayang pada saat memasuki usia pubertas, tepatnya di bangku SMP. Ketika itu suara cempreng saya mulai memberat, bulu-bulu halus mulai tumbuh di kaki dan saya mulai gugup jika berpapasan dengan seorang teman sekolah yang tinggal di komplek sebelah. Sebelumnya saya tidak pernah sedikit pun mendengar istilah itu. Entah masa kanak-kanak saya begitu nerdy atau memang tidak peduli.

Istilah ini awalnya saya baca di majalah ilmiah populer bulanan yang terbit di negeri kita saat itu. Mendekati 14 Februari, saya baru sadar bahwa hari itu dirayakan oleh hampir seluruh majalah remaja, termasuk satu-satunya majalah remaja pria. Sebagai remaja di akhir era 1980-an, tentunya saya tidak mau ketinggalan ikut dalam gegap gempita itu.

Kebetulan pada saat Valentine, saya sudah dekat dengan teman sekolah yang tinggal di kompleks sebelah. Saya ikuti berbagai langkah dan tips yang dianjurkan majalah itu. Tahun itu saya merayakan Valentine lengkap dengan dinner, nonton bioskop, bunga mawar dan coklat. Alhasil di penghujung malam saya berhasil mendapatkan ciuman pertama saya. Hubungan itu sendiri berakhir beberapa bulan kemudian. Namun sebuah paradigma baru tentang hari kasih sayang melekat di kepala saya.

Paradigma Valentine ini masih saya praktekan setidaknya 4-5 tahun berikutnya. Meskipun “hadiah” yang saya terima di penghujung malam mulai berubah. Akhirnya saya sampai pada suatu titik di mana saya kehilangan seluruh keistimewaan moment Valentine. Ketika “hadiah” itu mulai bisa saya dapatkan tidak cuma di hari kasih sayang, tetapi juga hari-hari lainnya sepanjang tahun. Di masa-masa ini, Valentine sekadar kegiatan konsumtif dan fisikal belaka.

Young Adulthood (Twenty-something)
Masa turbulensi politik Indonesia sedikit banyak mempengaruhi pemikiran saya saat memasuki usia 20-an. Di masa ini, saya hidup jauh dari rumah dan memasuki miniatur realitas metropolitan, yaitu dunia kampus. Saya mulai mengakrabi pemikiran-pemikiran teori kritis dan di kampus juga terjun menjadi aktivis. Tanpa terasa, pengetahuan yang saya dapatkan dari aktivisme kampus membentuk pandangan dunia saya.

Pada era ini saya mengembangkan pemikiran baru tentang Valentine. Saat ini saya menganggap Valentine is sick! Saya menganggap Valentine tak lebih dari marketing tools yang terlalu komersial. Suatu kali, saya sempat memiliki pasangan yang setuju that it was all too commercialized. Kami membuat perjanjian untuk tidak akan menghabiskan satu sen pun untuk merayakan hari kasih sayang ini. Alih-alih, saya membuat sebuah kartu ucapan sendiri dengan inisial nama kami terukir di dalam sebuah bentuk hati dan mengatakan I love you. Saya memberikannya kartu itu, we never had sex again and then she dump me!

Ketika saya lepas kuliah dan memasuki dunia kerja yang jauh lebih nyata berbekal idealisme, saya pun semakin muak dengan realitas bernama Valentine. Meskipun arus pengaruhnya bertambah kuat dengan cara-cara yang lebih kreatif dan hegemonik, tetapi saya malah menemukan realitas-realitas aneh yang membuat saya geleng-geleng kepala.

Seorang teman kerja yang lebih senior menceritakan pengalaman Valentine setiap tahun. Dia telah saling tak acuh dengan pasangannya selama hampir setahun terakhir ini. Mereka bahkan menghabiskan akhir pekan sendiri-sendiri. Sang istri sibuk dengan teman-temannya dan dia sibuk mengencani wanita-wanita selingkuhannya. Namun, mereka sibuk berburu karangan bunga paling cantik untuk romantic candle light dinner, kissing in the rain (pointless), and hand-holding sepanjang malam. Mereka lalu pulang ke apartemen mereka yang lantainya sudah ditaburi kelopak-kelopak mawar dari pintu masuk hingga ke atas ranjang mereka. Di penghujung malam mereka sudah sibuk dengan post-coital ciggy dan kemudian kembali saling mengabaikan hingga tiba Valentine tahun depan. Semua itu mereka lakukan untuk menyatakan cinta mereka yang terlanjur diikat di lembaga pernikahan.

Di era ini kisah cinta saya sendiri terangkum tak ubahnya deretan kartu-kartu Valentine yang dijual di etalase-etalase. Cards range from minimalist overpriced types, through to fluffy, glitter-drenched six-footers. Semuanya adalah koleksi yang dibuat semenarik mungkin, dengan kata-kata yang bergairah dituangkan ke dalamnya. Lantas setelah dinner dan sedikit seks, kartu itu sudah sobek dan tercampakan ke tong sampah. Seolah-olah kewajiban saya untuk memperlakukan seseorang sebagai lady selama 24 jam telah terpenuhi dan kemudian saya kembali bisa gila-gilaan untuk 364 hari lainnya.

Maturity (The Thirties)
Seiring berjalannya waktu dan bertambahnya usia, saya mencoba berdamai dengan dunia. Sedikit demi sedikit idealisme saya mengendur dan digantikan dengan pragmatisme. Ketika sudah bertahun-tahun harus mengakrabkan diri dengan realitas Valentine, saya pun akhirnya menganggap bahwa Valentine is for everyone and in short, is possibly the second wonderful day of the year after Christmas.

Apakah menjadi lebih feminin dengan menyukai Valentine’s Day? Tidak. Ini adalah hari di mana saya justru bisa agak bermalas-malasan. Valentine’s day adalah satu-satunya hari di mana kita bisa melemparkan alasan atau hadiah paling culun untuk membahagiakan pasangan atas nama romantisme, and still get something nice in return. Kami bisa sekedar memesan Sate Padang Mak Datuk, hanya karena mengingatkan kami pada masa-masa perkenalan dulu. Meskipun sate itu agak terlalu berasap, namun itu romantis, all thanks to segnor Valentine.

Tapi bagaimana dengan orang-orang yang harus menjalaninya tanpa pasangan? Well, they should love Valentine’s too. Mereka bisa menyatukan sinisme arogan dan kesepian yang mereka jalani untuk mengadakan bersama-sama mengadakan “We hate Valentine, so we throw a party” party. Di acara itu, mereka bisa bertemu dengan seseorang, lalu mudah-mudahan bisa jatuh cinta, and live happily ever after… Seperti kami!

So, it’s Valentine’s Day, everyone’s a winner… Happy St. Valentine's Day!
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